Considering that films themselves are just contrasts of light and darkness, the concept gives director David F. Let’s just start with the fact that a monster that can’t attack when someone is standing in a pool of light is a great idea for a movie monster. Good: The monster is terrific on a bunch of levels See if you can spot the monster in this image.

I’ll warn you before I do so, however.īut before that, let’s talk about the good, the bad, and the divisive of Lights Out. So to talk about why I enjoyed Lights Out so much, I’m going to have to spoil some things. But it’s the kind of movie where I realized about 10 minutes in how wrapped up I was in the lives of the characters, and realized with about 10 minutes left that I was holding my breath that the director and screenwriter wouldn’t screw everything up.Īnd while I loved the ending, it’s proven incredibly divisive for what it might seem to say about depression. Yes, it has problems - one big one in particular.

And the movie’s central metaphor - the monster is depression! - is surprisingly durable, allowing for some great character moments. There are sequences in this film that left the audience at my screening joyfully applauding their creativity and audacity.

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